Cadie Desbiens-Desmeules is a Canadian artist working between generative processes and live performance. Her practice is either site-specific or installation-based, spanning multiple surfaces or immersive environments. Sound is typically a key part of her process, translating one medium into another and exposing audiences to the visual beauty of sonic forms. Drawing on her background experience as a journalist, she also casts a critical eye over technological trends with artworks that provokes thoughts and internal discussions around how we relate and engage with new technologies.
In 2008, Desbiens-Desmeules began performing as Push 1 stop, presenting at national art galleries and international festivals like MUTEK and the Montreal Museum of Fine Art. Soon, this expanded into large format works, commissioned by groups like the Societé des arts technologiques. Since 2017, Desbiens-Desmeules has presented her work worldwide, including digital art festivals and art galleries such as Somerset House (UK), Sónar (ES), TodaysArt (NL) and the International Symposium for Electronic Art (ISEA).
Push 1 stop is also known for her stage design. In 2018, the scenography for the theatre piece “Post-Humain” was officially selected at the Prague Quadrennial 2019. In 2019, she was invited to be scenographer for the festival MUTEK’s 20th anniversary who received the 35th Grand Prix du Conseil des arts de Montréal.
In 2019, We Are Europe (WAE) enlisted Desbiens-Desmeules as one of the 64 artists, speakers and public figures they consider the most inspiring European personalities. Desbiens-Desmeules is currently based in Lisbon, Portugal. She continues to be active as a creative director, scenographer and visual artist, collaborating with top industry talent and agencies such as Silent Partners Studio, where she has been working for Beyonce, Jay-Z, BTS, Billie Eilish and Bruno Mars just to name a few.